In Ashes Lie -- Soundtrack

The track titles may contain hints of story that would constitute mild spoilers. You have been warned. A partial mix is available via iTunes.

• In Ashes Lie -- "Anakin's Betrayal," John Williams, Star Wars III: Revenge of the Sith
• Prologue: The Spark -- "Plantation Pyre," Elliot Goldenthal, Interview with the Vampire

Part One
• Sir Antony Ware -- "Give Me Your Pardon Sir," Patrick Doyle, Hamlet
• The Queen of the Onyx Court -- "One Mistress, No Master," David Hirschfelder, Elizabeth
• Ollamh Eochu Airt -- "Shivna," Bill Whelan, Riverdance
• The House of Commons -- "'Now Lords, for France!'," Patrick Doyle, Henry V
• The Madman -- "Tonight I Think I Die," David Hirschfelder, Elizabeth
• Cerenel's Oath -- "The Immolation Scene," John Williams, Star Wars III: Revenge of the Sith
• On Tower Hill -- "Smoke N'Oakum," Christopher Gordon, Master and Commander: The Far Side of the World
• The Lord of Shadows -- "Conspiracy," David Hirschfelder, Elizabeth
• The King in Parliament -- "The Three Traitors," Patrick Doyle, Henry V
• Sunday: The Battle for the River -- "Chain," Yoko Kanno, Escaflowne

Part Two
• In the Garden -- "The Passing of the Elves," Howard Shore, The Lord of the Rings: The Fellowship of the Ring [Complete Soundtrack]
• Inkstains -- "The Woman with No Name," Patrick Doyle, Dead Again
• All Hallows' Eve -- "The Purifiers End," Graeme Revell, The Chronicles of Riddick
• Imbas Forosna -- "Caislean Oir," Clannad, Macalla
• Pride's Purge -- "Martial Law," Bear McCreary, Battlestar Galactica: Season Two
• The High Court of Justice -- "The King Is Dead," Ennio Morricone, Hamlet
• Regicide -- "Birth of Twins & Padme's Destiny," John Williams, Star Wars III: Revenge of the Sith [selection]
• Flight from King Street -- "Armand Rescues Louis," Elliot Goldenthal, Interview with the Vampire
• Spider in the Hall -- "Marylebone Workhouse," Trevor Jones, From Hell
• Monday: The Battle for the Stone -- "The Battle," Harry Gregson-Williams, The Chronicles of Narnia: The Lion, the Witch, and the Wardrobe

Part Three
• The Vale of the White Horse -- "A Window to the Past," John Williams, Harry Potter and the Prisoner of Azkaban
• Beneath the Cathedral -- "Main Titles," James Horner, The Name of the Rose
• The Sealed Knot -- "The Promised Womb," Dead Can Dance, Aion
• New Weapons -- "Mark I," Ramin Djawadi, Iron Man [selection]
• Rose in Shadow -- "New Memories," John Powell, The Bourne Supremacy
• Night Ride -- "The Story Continues," Patrick Doyle, Harry Potter and the Goblet of Fire
• The Rising of the Onyx Hall -- "The Chess Games," John Williams, Harry Potter and the Sorcerer's Stone
• Love and Friendship -- "Goodnight, Sweet Prince," Patrick Doyle, Hamlet
• Restoration -- "Camelot," Jerry Goldsmith, First Knight
• Tuesday: The Battle for St. Paul's -- "The Fire Dragon," Jerry Goldsmith, The 13th Warrior

Part Four
• Dr. Jack Ellin -- "The Stowaway," Harry Gregson-Williams, Sinbad: Legend of the Seven Seas
• The Iron Box -- "Naming Names," Joe LoDuca, Brotherhood of the Wolf
• Faerie Law -- "Aftermath," David Hirschfelder, Elizabeth
• Black London -- "Portrait of John Doe," Howard Shore, Seven
• Final Hours -- "Ofelia," Javier Navarrete, Pan's Labyrinth
• The Luck of the Wares -- "And Will 'A Not Come Again," Patrick Doyle, Hamlet
• Prince of the Stone -- "Persephone (The Gathering of Flowers)," Dead Can Dance, Within the Realm of a Dying Sun
• The Gyre-Carling of Fife -- "Overture (Rob Roy; The Rieving Party)," Carter Burwell, Celtic Moods [selection]
• The Breath of the Cailleach Bheur -- "Falkirk," James Horner, Braveheart [selection]
• Wednesday: The Battle for London -- "The Abduction and the Final Battle at the Gallows," Michael Kamen, Robin Hood, Prince of Thieves

• Epilogue: The Phoenix -- "We're Jungle Creatures," John Barry, The Lion in Winter

Selections:

From "Birth of Twins & Padme's Destiny," I used the later portion, with the somber chorus.

From "Mark I," I used the opening segment, with the hammer-blows, cutting out the later and faster part.

From "Overture (Rob Roy; The Rieving Party)," I used the second half, with the female vocalist.

From "Falkirk," I cut off about a minute and a half of the beginning -- the quieter part.

I should note that, between this and the Midnight Never Come soundtrack, I've used a fair percentage of the songs from certain albums (such as Elizabeth or Henry V.) If you're inclined to hear this music for yourself, you could cover a goodly portion of it by picking up a few key CDs.